Showing posts with label John Horler. Show all posts
Showing posts with label John Horler. Show all posts

Tuesday, 3 July 2018

A Quiet Night In

 

It’s still hot here in the UK, Wimbledon started and the World Cup is in the knockout stages; either one or all three of these factors meant that the crowd at the Milford Arms was a fraction of its normal size. This of course was fine with me because I don’t like crowds but for the people who run the jazz club it was a bit discouraging, especially since it’s only been in the current venue for two months and I think they are worried about getting the boot if the numbers drop.

As I said it’s still hot, which I hate but it’s a shame Neil would have loved this weather. For the past three summers he’s complained about it not being hot and sunny – even though it was, just only for a few days which I’d prefer. But we’re going into our third week of 80°+ heat which is a bit extreme for a place with very little air conditioning.

Today is four months since Neil died. I still can’t believe it, but that’s why I’m writing this today and not him. Although I miss him every day some days little things happen that remind of things I’ve totally forgotten about. Like last week while Derek Nash was playing he licked the tip of his index finger and gestured an exclamation point. I don’t really know what that means but Neil used to do that when he’d done something he was proud of and wanted credit for. Last night it was me taking notes for the blog on the raffle tickets. When Neil was well and writing the blog he always kept about four recycled envelopes  in his pocket for taking notes. They could be used for anything but at the jazz he usually used them to take notes like, the songs that were played or little events that happened like someone spilling their drink on the jazz club villain and him storming off as a result … Result!

A lot of nights at the jazz club would be either a night that he enjoyed or one that I enjoyed. Last night though I think would have been the rare occasion where I liked one half and he liked the other. Last night was a night of two halves. The first half was dominated by the smooth and spicy sounds of Theo Travis. I love the sax and have since I was a teenager, and Theo plays my kind of sax. I think he could make it on the smooth jazz circuit if he were looking for some extra income.

The first half included some of my favorites like Recorda Me and In a Sentimental Mood - a song that almost anyone would know even if they didn’t know jazz, it’s been in movie soundtracks and is a classic. For me it’s a song that would come to mind when you think of the sax .

The second half was more upbeat and featured more of the screeching trumpet and flugelhorn of Steve Waterman. I love a screechy trumpet while Neil loved a mute, he’d get excited whenever one was used. And like he always said, “If we were the same it would be boring”. I like smooth things  whereas he thought smooth music was "inoffensive" which for Neil was not a compliment. Neil liked things to “grab you by the lapel and shake you”, so I think he would have really enjoyed the second half after probably sleeping through the first.

It’s the first week of July so of course Tim Wells was playing the bass. The “Baltimore bass man” as he’s known always seems to be at the jazz club around the 4th of July. The first year I wished him a happy 4th, he kind of rolled his eyes at me. It was okay, I was never really been a fan anyway. And because he was there the band played Old Blues which I said to Martin must be his favorite song because whenever he comes (which is at least once a month) they play it.

One of Martin’s favorites was on keys, John Horler. No original music last night which is a shame. They usually play one of his pieces when he comes. And of course Trevor Tomkins was on drums, and in another lovely shirt from Ghana. I told him, maybe it’s the shirt! Last week he was on fire and this week he was still smoldering. The band played Joy Spring again (Derek Nash, et al played it last week) but I liked this week's version better.

I thought I’d end this week’s write up with a story about Theo Travis. The first time I remember seeing him I told Neil he looked like Rev. Richard Coles who was in a Pop band in the 80’s called the Communards. Neil agreed with my observation. The next time Theo Travis came to our club I asked Martin “Have you heard of the Communards?” He made a perplexed face and said “Yes”. I said “This guy looks like the keyboard player, I can’t remember his name but he’s a vicar now.” Martin’s face looked even more confused after that. When I asked him if he’d heard of the Communards he thought I meant the Paris Commune not the 80’s Pop band. But after a few minutes he agreed that Theo Travis does resemble the Rev. Richard Coles.

What do you think?

Image result for rev richard coles
Rev Richard Coles
 
Image result for theo travis
Theo Travis
One of Neil's write ups on Theo Travis
One of Neil's write ups on the Communards (Paris Commune not the 80's Pop band) 
 
Robyn G. M. Harris
(a One Day at a Time Production)
 
 

Sunday, 9 October 2016

Jimmy Hastings being a Cool Cat at The Red Lion.

I am in a truly grumpy mood - I was due to go on a march this morning and I wasn't up to it. I will write it up tomorrow but it's a sad day for me....sat at home when I should have been seeing old friends and supporting a good old cause.

This is by way of a memory from last Monday when we made it to my Jazz club at The Red Lion, Isleworth.



This is Jimmy Hastings and over the years I've been watching him he has been steadily moving up the league table of cool cats;

I really enjoyed McCoy Tyner's 'Passion Dance' and a Kenny Wheeler number (can't read the scribble I wrote on my tissue!).

But the best of all was Sonny Rollin's 'Alfie's Theme', you can hear the long version of it here;

https://www.youtube.com/watch?v=5_moRogiog0

Tell me that isn't the 1960's in 9 minutes?

We also got a taste of the 70's too, with a bit of Jazz flute.

Too good.


Thanks are due (as ever) to Trevor Tomkins on drums who arranges everything, John Horler on Keyboards and Tim Wells on Bass.

It was a perfect evening.

Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Monday, 11 April 2016

1970's night at The Red Lion.

Maybe the week wasn't so bad - last Monday we went to our Jazz Club to enjoy the mastery of Jimmy Hastings;



The thing is, I always look forward to seeing Jimmy Hastings playing a variety of wind instruments and he plays jazz typical of the 1970's with a strong element of Chick Corea, who I don't even like.

I especially like his Jazz flute.

Trevor Tomkins on drums and Paul Morgan on bass were magical and with John Horler on keyboards added up to a fine back row.



Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 23 February 2016

Bad case of the Blues.

By Monday night I was definitely feeling below average although I didn't want to miss Richard Rossi on guitar, John Horler on keys, Tim Wells on bass, Trevor Tomkins on drums and Paul Booth on saxes;


As the evening went on I was flagging and getting more blue by each number!


Or worse;


It was a fine night at The Red Lion, just maybe a bit too much for me.

Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Thursday, 21 January 2016

No news yet.

We still haven't heard when I'm due to start Chemotherapy, so we went to see Steve Waterman here on trumpet and Karen Sharp on sax;


As ever Trevor Tomkins was excellent on drums, Tim Wells was on bass and John Horler on keyboards.

I must admit that I was preoccupied throughout the evening and not really part of things.

Apart from anything else it's really, really cold and I've got chilblains.

Grrrrh!

Neil Harris
(a don't stop till you drop production)

Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 10 November 2015

Art Themen at the Red Lion.

Saturday night in a night club, Monday enjoying the best Modern Jazz that London has to offer.

How good is that?

This is John Horler giving it some;


In fact it was a special night - the fifth anniversary of the club's move to the Red Lion.

It was special for me because we had Art Themen making a rare visit;



John Donaldson played keyboards, he's probably my ideal pianist while Trevor Tomkins drums and Dave Green's bass all contributed to a great night.

It's always a pleasure to see Art, not least because three years ago when I broke my ankle, one of the things that kept me going was the thought of making it back to see him again.

I wasn't disappointed last night.

Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com


Wednesday, 28 October 2015

A smooth night at The Red Lion.

On Monday (still ill), we struggled in to Isleworth to our Jazz club at the Red Lion.

We were in for a treat, a couple of occasional performers who brought a bit of youth and some contemporary influences with them.

This is Richard Rossi playing some delicate jazz guitar;



While this is Paul Booth on Saxophones just in front of Tim Wells on bass;



I'm not that contemporary where jazz is concerned and I certainly don't have any smooth edges even after all these years but I did enjoy this variety of Modern Jazz.....it was one of those evenings that disappeared in moments.

John Horler was on keyboards and Trevor Tomkins on Drums - a fine night.

Neil Harris
(a don't stop till you drop production)

Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 29 September 2015

Jimmy Hastings at the Red Lion.




We made it back to our jazz club at The Red Lion, Isleworth.

Earlier in the year, the regulars saved the pub from development but currently it looks as much under threat as it ever did. These days people only buy pubs to close them down an redevelop. That's the way it looks now!

Anyway, we came to enjoy the music of Jimmy Hastings who plays a soft, dreamy kind of jazz.

It's very much of the 1970's and although it's not my style of jazz it's always a pleasure.

He also plays the jazz flute;



Neil Harris
(a don't stop till  you drop production)

Home: helpmesortoutstpeters.blogspot.com

Contact me: neilwithpromisestokeep@gmail.com

Saturday, 15 August 2015

Art Themen at The Red Lion..




Monday night saw me and Robyn at The Red Lion, Isleworth for the Jazz.

These days I find the stools unbearable - by about 1000pm I'm in agony.

All the same nothing would see me missing Art Themen (above left). When I was on three monthly hospital appointments (and everything was going wrong very quickly) it always coincided with Art's three monthly visits and I used it to cheer myself up.

He doesn't come so often these days, which is a shame.

Art is a leading exponent of Bebop and has been doing that for quite a while - since I was young!

This time he was a bit more subdued, playing with Henry Lowther whose trumpet style is a lot more mellow;

 
 
And tonight you get a rare sighting of Trevor Tomkins who hides on the back row, normally. John Horler was on keyboards and Dave Green on bass.
 
Oh, was I glad to get up by the end of the evening!
 
Neil Harris
(a don't stop till you drop production)
 
 
 

Wednesday, 18 March 2015

Standard Miles.



Monday night saw us back at our Jazz Club for an all-star evening; 'Standard Miles'. I'd been looking forward to it for some time.
It's a quintet that appears at venues like Ronnie Scott's or the summer festivals to play the standards that were part of Miles Davies's concert's in the late 1950's/early 1960's.

They aren't pretending top be Miles - how could you? It's just a glorious recreation of Modern Jazz in the second and probably last golden period.

In these pictures you can see Dave Green on Bass. Somewhere in the background is Trevor Tomkins on Drums while John Critchinson plays piano.

John Horler, here playing muted trumpet beautifully, told us a story about meeting Miles Davies while he was touring in Los Angeles. Mind you, John Critchinson played with Ronnie Scott for many years - he probably has a tale or two of his own to tell.



 
 
As the evening went on I found it harder and harder to sit on the pub's stool - my back was agony and I had to get up and stand at the front (the only space left) getting in everybody's way.
 
It did get me a good picture of Simon Spillett on Saxophone though.
 
It's an exceptional quintet - quality jazz played with feeling.
 
Neil Harris
(a don't stop till you drop production)
 
 
 

Tuesday, 10 February 2015

Back at the Red Lion.




We made it again!

Last week was the first time we got back to my Jazz club after I got ill....we made it back again.

And it was good; Quentin Collins was electrifying on the trumpet and Dave O'Higgins is one of my favourite saxophonists. It is fair to say that I do have a number of favourite saxophonists.



 
 
 
They pl;ayed a couple of my favourites too; Thelonius Monk's 'Hackensack' and Horace Silver's 'Barbara'.
 
 
These nights are booked by Trevor Tomkins (drums) and on bass was Dave Green, keyboards John Horler.
 
 
The best in British modern jazz.
 
Neil Harris
(a don't stop till you drop production)
 
 
 
 



Friday, 7 November 2014

A mute at the red Lion - Mmmmmmh!



 

This is Martin Shaw blasting out his trumpet at The Red Lion, Isleworth Jazz Club on Monday night, just before my birthday.

I did enjoy Miles Davis's 'Four' and Charlie Parker's 'Scrapple from the Apple', both very familiar and much loved pieces.

With Trevor Tomkins on Drums, Alec Dankworth on bass and John Horler on piano it was a very fine quintet.

Here's Sam Mayne on Saxophone;


 
 
 
And as ever, I love a mute on a trumpet - this is Martin playing Dizzy Gillespie's 'Night in Tunisia'; 
 
 
 
 
 
Neil Harris
(a don't stop till you drop production)
 
 



Friday, 3 October 2014

Back to The Red Lion.


Monday night and we were back at The Red Lion, Isleworth. We hadn't been there for a couple of weeks - this was a star studded cast; Alec Dankworth was on bass;





And Quentin Collins was stunning, as usual, on trumpet and flugelhorn.



 
 
 
It's not been the greatest of breaks for me but I have a few things planned for the last few days, just wait and see!
 
Neil Harris
(a don't stop till you drop production)
 
 
 


Saturday, 30 August 2014

Jimmy Hastings night at The Red Lion.



Jimmy Hastings down at The Red Lion is not something to miss; it's the sound of 1970's jazz played well.

Not my kind of thing at all, not a decade when I was really into Jazz at all, which is why it's such good playing...the sounds of Chick Corea weren't my thing.


 
 
If anything says it all its the sound of a jazz flute - the sound of that era and Jimmy's got it just right.
 
 
But I like Wayne Shorter and Gerry Mulligan who both got an airing as well as the very great Jimmy Giuffre who does not get played often enough.
 
And it was just a quartet which I really prefer; Trevor Tomkins on Drums, John Horler on keyboards and Tim Wells playing a very fine bass.
 
Neil Harris
(a don't stop till you drop production)
 
 
 
 
 
 


Tuesday, 10 June 2014

Sultry June nights.


Monday didn’t really happen for me – which is why I was taking photos of hay. It makes sense, really it does, if only to me.

So instead of a meeting in London and a visit to The Museum of Water, I went to my Jazz club;



On Trumpet and Flugelhorn Martin Shaw;

 
I do love a mute trumpet, well played.
 
While on saxophone Sam Mayne;

 

Sam is very expressive during the quiet, sultry passages and on the hottest, sultriest night of the year so far that was nice. Trever Tomkins provided the drums, John Horler Piano and Dave Green on Bass.

I also thought I’d introduce you to my friend Robyn from West Philadelphia;

 


 Neil Harris

(a don’t stop till you drop production)

Tuesday, 1 April 2014

Goodbye Pork Pie Hat.


Monday was the luckiest day – I spent the morning with my Tory dentist – we argue all the time although he usually gets the last word – because he’s got my mouth full of equipment.

Afterwards I spent a while in Hounslow. I never get to go there anymore, which is sad.  I used to work there and lived just up the road.

It’s a wonderful, vibrant Asian town. Full of life and hope. I wrote a Blog about the film ‘Bend it like Beckham’ last year – it was made locally and captures all of that feeling.

 I ended up looking at hats. Its spring, my hats were starting to look as sad and old as I do. I needed a change.

I bought two – big money proper new hats. Not from charity shops, not from discounters.

How about this for a hat:

 

That’s a real Pork Pie Hat, that hat.

It does mean that I could now have Charlie Mingus’s ‘Goodbye Pork Pie Hat’ played at my funeral, except it’s not my favourite tune. Written to say goodbye to Lester Young, it does have a bit of class to it.

As does my new hat – I bought it for chemotherapy but then, when it came time for me to go to my Jazz Club I couldn’t resist wearing it.

 

That's Dave O'Higgins on Sax with Dave Green on bass.

In a world of Jazz Hats I have to say that mine was the coolest.

 
It's that cool. 

I said it was the luckiest day – it was. I phoned Impact Tours in the afternoon and they confirmed I have a booking for Saturday.

I AM GOING TO FRANCE!

A day trip to St. Omer!

The blog is going international!

Ever since I got ill, the one thing I dreamt of, the one thing I couldn’t do was to travel. This Saturday, I get a day in La Belle France. I can’t believe it.

If anyone can think of anything to do in St Omer I would like to hear from you.

As far as I know it’s an industrial town in Le Pas de Calais and its only claim to be a tourist attraction is that when you go to France to buy cheap lager – that’s where they make the cheap lager.

Mind you, there are worse things I could do than drink lager.

Wish me luck – it will be a long, long coach trip.

I am so excited.

(roadtrip)

Neil Harris

(a don’t stop till you drop production)

Wednesday, 19 February 2014

Flares and Fusion.


Monday night at The Red Lion, Isleworth and it wasn’t really my night even though Jimmy Hastings is a fine saxophonist who also throws in the flute every so often.

 

It’s just that 1970’s fusion isn’t my thing and 70’s jazz isn’t my era. There was a lot of Chick Corea and if there wasn't any Weather Report, it was in the air that night.
The flute does always brings back memories of the recently departed Gil Scott Heron who did shine out at that time.

Trevor Tomkins clearly likes the period as well, judging by the workout his drums were getting and I was in a minority of one amongst the crowd.

Today, I was having a quick look at the minutes of the January meeting of the governors of Ashford and St. Peter’s NHS hospital Trust and under the heading of ‘Parliamentary and Health Service Ombudsman, there appeared to be a request for information back in December relating to Accident and Emergency.
I wonder who that relates to? Perhaps we will see later.

Neil Harris

(a don’t stop till you drop production)
Home:   helpmesortoutstpeters.blogspot.com

Contact: neilwithpromisestokeep@gmail.com

Tuesday, 22 October 2013

Thanks Tassim.


U

That was eventful, I’ve been off air for over a day.

In that time I bought a new dongle at enormous expense, got it home only to find that network had no coverage in

Sleepy Hollow

Went into town this morning and after a long battle got a refund.

Came home and spent the afternoon trying to register an old dongle to top it up on line, except the company has been taken over and you can’t top it up anymore.

Going mad, I ended up going back into town again where I was lucky enough to speak to a real live human being; Tassim of EE in Staines who sorted it all out for me. So today’s entry is dedicated to 

                              Tassim

Without whom none of this would have been possible. So much for the internet and the 21st century.

 

As for the club, how could anything compare with last week? That was so good there wasn’t anything better on in the whole of London.

This Monday night at the Red Lion, Isleworth was completely different – a debut for an exiled Canadian Mike Coates who took his Sax into the low, quiet breathy zone:

 And Steve Waterman  was playing a very bright and shiny trumpet very brightly:

 So while last week had them boppin’ in the lounge bar, tonight was more thoughtful. There were blues but they came from John Horler’s excellent and very precise piano work. He and Mike Coates pulled off a great duet on Benny Goldson’s ‘Whisper Not’.

Freddy Hubbard’s ‘Upjump spring’ was a treat but the best was last – they finished up with ‘Bye Bye Blackbird’ of all things. Deconstructed by each of the players in turn, like a child taking apart an alarm clock and then looking puzzled by the pile of bits; somehow they managed to get them back together in time and it was a real joy to listen to them doing it.

Did I say it was quiet and reflective? Now I think about it Tim Wells on bass and Trevor Tomkins drumming didn’t get that much of a look in this week.

Still the best place to be in London, just as well it’s a secret, or it would have been without Tassim’s help.

Y
helpMesortoutstPeters.blogspot.com

Neil Harris

(a don’t stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com

Contact: neilwithpromisestokeep@gmail.com

Wednesday, 28 August 2013

Casual it wasn't.


I’ve had a few bad days being not so well, as I said yesterday I’m a grumblin’ an a grouchy.

Also this Blog has got behind itself by a day and I can’t seem to get it straight, like getting the buttons on your shirt done up out of order.

Then again I’ve got a couple of (I hope) adventures* planned for this week although I don’t think I’ll be able to do both. At the moment I’m hoping to be well enough to nail one of them.

I’ll keep you posted.

Monday I hit the jazz trail, or perhaps it hit me.

I warned you, I’m being a grouch.

At the Red Lion, Isleworth, it was an odd set. Five fine players, a couple of hours of good music but to me it seemed as though I was only enjoying every other number. Then again 50% ain’t bad.

This is Tim Wells twackin’ the double bass.

 


 And this is Dave O’Higgins on Sax – a really fine musician.

 

 
‘Hackensack’ by Thelonious Monk was as good as ever, who doesn’t like that?

Steve Waterman woke me up with an outrageous, screaming trumpet while John Horler was doing a very reasonable Monk impression with just one hand, a sharp minimalism that looked so casual that you knew it wasn’t. It got the crowd cheering and my neighbour playing ‘air piano’ for the second week running.

The last number was a special version of ‘It ain’t necessarily so’, the instruments fighting it out amongst themselves.

* One of them involves time travel!

 

Neil Harris

(a don’t stop till you drop production)

Tuesday, 4 June 2013

All smiles.


At last, the weather matched the time of year – it’s June, the month of lazy days and long cool evenings. Down at the Red Lion, Isleworth, there wasn’t much lazy but plenty of cool. Then disaster struck; ‘Time Out’ magazine has declared it ‘The best Jazz Pub in london’. It’s a disaster because nowadays I want to keep this a secret. Also, there isn’t much competition these days.


Martin Shaw came along with his trumpet, a flugelhorn and a mute – Karen Sharp was on Saxophone and John Horler on keyboards, the back row was Trevor Tomkins on Drums and Dave Green, bass. Those two have been together off and on for quite a while and it shows. It was all smiles tonight.

One highlight was Hank Mobley’s ‘This I dig of you’, which brought out the mute but didn’t quieten anything down – in fact Trevor Tomkins decided to put on his own Mobley memorial, giving his drums a good ‘workout’.

 

 
 She’s looking pretty mean here but it’s always a breathy, throaty sax from Karen Sharp and today a dreamy flugelhorn to go with it. John Horler was solid on ‘Sonara’ and in his own composition ‘One for Clifford’ although I didn’t recognise this version and I’ve heard it before.

 


 
Best for me was ‘Bye, Bye, Blackbird’, heavy on the mute here and very delicate phrasing from Martin Shaw –Grown up Jazz for a long summers evening.

The last short number, McCoy Tyner’s ‘Blues on the corner’ gave the trumpet and Sax a showcase, Dave Green and Trevor Tomkins had already taken their chances again on the Bird’s ‘Scrapple from the Apple’.

I spilled out into the night and drove home in company with Radio 2’s David Rodigan playing old style 1960’s Reggae, a good rhythm to go with the Great West Road and a long, long June night.

Neil Harris

(a don’t stop till you drop production)
Home:                        helpmesortoutstpeters.blogspot.com
Contact:           neilwithpromisestokeep@gmail.com