Showing posts with label Theo Travis. Show all posts
Showing posts with label Theo Travis. Show all posts

Tuesday, 3 July 2018

A Quiet Night In

 

It’s still hot here in the UK, Wimbledon started and the World Cup is in the knockout stages; either one or all three of these factors meant that the crowd at the Milford Arms was a fraction of its normal size. This of course was fine with me because I don’t like crowds but for the people who run the jazz club it was a bit discouraging, especially since it’s only been in the current venue for two months and I think they are worried about getting the boot if the numbers drop.

As I said it’s still hot, which I hate but it’s a shame Neil would have loved this weather. For the past three summers he’s complained about it not being hot and sunny – even though it was, just only for a few days which I’d prefer. But we’re going into our third week of 80°+ heat which is a bit extreme for a place with very little air conditioning.

Today is four months since Neil died. I still can’t believe it, but that’s why I’m writing this today and not him. Although I miss him every day some days little things happen that remind of things I’ve totally forgotten about. Like last week while Derek Nash was playing he licked the tip of his index finger and gestured an exclamation point. I don’t really know what that means but Neil used to do that when he’d done something he was proud of and wanted credit for. Last night it was me taking notes for the blog on the raffle tickets. When Neil was well and writing the blog he always kept about four recycled envelopes  in his pocket for taking notes. They could be used for anything but at the jazz he usually used them to take notes like, the songs that were played or little events that happened like someone spilling their drink on the jazz club villain and him storming off as a result … Result!

A lot of nights at the jazz club would be either a night that he enjoyed or one that I enjoyed. Last night though I think would have been the rare occasion where I liked one half and he liked the other. Last night was a night of two halves. The first half was dominated by the smooth and spicy sounds of Theo Travis. I love the sax and have since I was a teenager, and Theo plays my kind of sax. I think he could make it on the smooth jazz circuit if he were looking for some extra income.

The first half included some of my favorites like Recorda Me and In a Sentimental Mood - a song that almost anyone would know even if they didn’t know jazz, it’s been in movie soundtracks and is a classic. For me it’s a song that would come to mind when you think of the sax .

The second half was more upbeat and featured more of the screeching trumpet and flugelhorn of Steve Waterman. I love a screechy trumpet while Neil loved a mute, he’d get excited whenever one was used. And like he always said, “If we were the same it would be boring”. I like smooth things  whereas he thought smooth music was "inoffensive" which for Neil was not a compliment. Neil liked things to “grab you by the lapel and shake you”, so I think he would have really enjoyed the second half after probably sleeping through the first.

It’s the first week of July so of course Tim Wells was playing the bass. The “Baltimore bass man” as he’s known always seems to be at the jazz club around the 4th of July. The first year I wished him a happy 4th, he kind of rolled his eyes at me. It was okay, I was never really been a fan anyway. And because he was there the band played Old Blues which I said to Martin must be his favorite song because whenever he comes (which is at least once a month) they play it.

One of Martin’s favorites was on keys, John Horler. No original music last night which is a shame. They usually play one of his pieces when he comes. And of course Trevor Tomkins was on drums, and in another lovely shirt from Ghana. I told him, maybe it’s the shirt! Last week he was on fire and this week he was still smoldering. The band played Joy Spring again (Derek Nash, et al played it last week) but I liked this week's version better.

I thought I’d end this week’s write up with a story about Theo Travis. The first time I remember seeing him I told Neil he looked like Rev. Richard Coles who was in a Pop band in the 80’s called the Communards. Neil agreed with my observation. The next time Theo Travis came to our club I asked Martin “Have you heard of the Communards?” He made a perplexed face and said “Yes”. I said “This guy looks like the keyboard player, I can’t remember his name but he’s a vicar now.” Martin’s face looked even more confused after that. When I asked him if he’d heard of the Communards he thought I meant the Paris Commune not the 80’s Pop band. But after a few minutes he agreed that Theo Travis does resemble the Rev. Richard Coles.

What do you think?

Image result for rev richard coles
Rev Richard Coles
 
Image result for theo travis
Theo Travis
One of Neil's write ups on Theo Travis
One of Neil's write ups on the Communards (Paris Commune not the 80's Pop band) 
 
Robyn G. M. Harris
(a One Day at a Time Production)
 
 

Thursday, 26 May 2016

71,000 Thanx.

Robyn stamped this for me;



It's a really hectic time - getting ready for another operation, trying to sort out a wedding. So I'm a couple of days late in saying thank you for taking the Blog to 71000 hits.

On Monday we had an evening at our Jazz Club at The Red Lion, Isleworth.


This is Theo Travis on Sax and Martin Shaw on Trumpet.

Hiding, you can just make out Trevor Tomkins beating out the drums.

Meanwhile, we planted up another tub of lettuce, to keep the salads coming into the summer.

As you can see, the herbs are doing fine and the Lettuce and Rocket are coming along nicely too;



Robyn swears she'll never eat another dried herb again.

That's going to be a problem in the autumn!

Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 8 December 2015

A night of Jazz.


Today I've got a rather unpleasant appointment at Hospital so last night we went to the Red Lion for an evening of Jazz at our favourite club.

Here's Theo Travis on sax, Steve Watts on bass and Henry Armburg-Jennings on Trumpet and Flugelhorn;


It was a nice evening - just enough top take our minds on the next couple of weeks.

Trevor Tomkins was on drums and Mike Gorman on keyboards.

                                                 

Neil Harris
(a don't stop till you drop production)

Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 9 July 2013

6 instead of 4.


I went out early Monday night – hoping to find a new hat on the way to the jazz club. The shop was shut as I got there, actually it was shutting, a security guard on the door keeping me out.

In any case I need a special hat and I didn’t really expect to find it. A hat with a little jaaaazzz in it, a cool hat. Somehow, although I have no idea how I am going to get away to do it, I need to get up to London. We’ll see. My current hat, well, it’s just not where it’s at. It needs to be a really baad hat.

It wasn’t a cool day; it was high summer at last. Hot n’steamy long into the evening but after last Thursday’s moonstomping, I wasn’t looking for slow ballads or introspective noodling, I was looking for some bounce. I wasn’t sure I was going to find it, but it’s always worth looking.

Meanwhile, to celebrate the end of winter, people had rediscovered alcohol and the beer garden. Shell-shocked drinkers wandered to and from the bar. As the night went on they got more and more wasted, the conversations more surreal.  One large gentleman was carrying a poodle wherever he went. Very strange.

Every number started off quite slow, then they’d forget themselves and race away with it. My kind of night.

Leon Greening, a last minute replacement on the keyboards – each time he’d start off on a bluesy thoughtful mood, then he’d hunch, the bluenotes would hit in, then his head would get closer and closer to the keys and the race was on again.

Tonight Quentin Collins trumpet just lay back and screamed. Even the mellow, quiet flugelhorn got a hammering when it came out.

 

 Theo Travis was new to me – his Sax would be looking for a quiet ballad, a quiet stroll amongst quiet leafy lanes – moments in and the ghosts of bebop took over. Trevor Tomkins was grumbling that he’d spent all day in the studio – he’ obviously had a good time, you could hear it. Mick Hutton’s bass was hammering out an inner city rhythm. It was hot.

Sonny Rollins, Charlie Parker. Jobim.

“An old standard but in 6 instead of 4”.

A hot, sultry ill-tempered sort of night. At the all night kebab shack, the handcuffs were out.

Good sounds though.

Neil Harris

(a don’t stop till you drop production)
Home:      helpmesortoutstpeters.blogspot.com