Showing posts with label Steve waterman. Show all posts
Showing posts with label Steve waterman. Show all posts

Tuesday, 3 July 2018

A Quiet Night In

 

It’s still hot here in the UK, Wimbledon started and the World Cup is in the knockout stages; either one or all three of these factors meant that the crowd at the Milford Arms was a fraction of its normal size. This of course was fine with me because I don’t like crowds but for the people who run the jazz club it was a bit discouraging, especially since it’s only been in the current venue for two months and I think they are worried about getting the boot if the numbers drop.

As I said it’s still hot, which I hate but it’s a shame Neil would have loved this weather. For the past three summers he’s complained about it not being hot and sunny – even though it was, just only for a few days which I’d prefer. But we’re going into our third week of 80°+ heat which is a bit extreme for a place with very little air conditioning.

Today is four months since Neil died. I still can’t believe it, but that’s why I’m writing this today and not him. Although I miss him every day some days little things happen that remind of things I’ve totally forgotten about. Like last week while Derek Nash was playing he licked the tip of his index finger and gestured an exclamation point. I don’t really know what that means but Neil used to do that when he’d done something he was proud of and wanted credit for. Last night it was me taking notes for the blog on the raffle tickets. When Neil was well and writing the blog he always kept about four recycled envelopes  in his pocket for taking notes. They could be used for anything but at the jazz he usually used them to take notes like, the songs that were played or little events that happened like someone spilling their drink on the jazz club villain and him storming off as a result … Result!

A lot of nights at the jazz club would be either a night that he enjoyed or one that I enjoyed. Last night though I think would have been the rare occasion where I liked one half and he liked the other. Last night was a night of two halves. The first half was dominated by the smooth and spicy sounds of Theo Travis. I love the sax and have since I was a teenager, and Theo plays my kind of sax. I think he could make it on the smooth jazz circuit if he were looking for some extra income.

The first half included some of my favorites like Recorda Me and In a Sentimental Mood - a song that almost anyone would know even if they didn’t know jazz, it’s been in movie soundtracks and is a classic. For me it’s a song that would come to mind when you think of the sax .

The second half was more upbeat and featured more of the screeching trumpet and flugelhorn of Steve Waterman. I love a screechy trumpet while Neil loved a mute, he’d get excited whenever one was used. And like he always said, “If we were the same it would be boring”. I like smooth things  whereas he thought smooth music was "inoffensive" which for Neil was not a compliment. Neil liked things to “grab you by the lapel and shake you”, so I think he would have really enjoyed the second half after probably sleeping through the first.

It’s the first week of July so of course Tim Wells was playing the bass. The “Baltimore bass man” as he’s known always seems to be at the jazz club around the 4th of July. The first year I wished him a happy 4th, he kind of rolled his eyes at me. It was okay, I was never really been a fan anyway. And because he was there the band played Old Blues which I said to Martin must be his favorite song because whenever he comes (which is at least once a month) they play it.

One of Martin’s favorites was on keys, John Horler. No original music last night which is a shame. They usually play one of his pieces when he comes. And of course Trevor Tomkins was on drums, and in another lovely shirt from Ghana. I told him, maybe it’s the shirt! Last week he was on fire and this week he was still smoldering. The band played Joy Spring again (Derek Nash, et al played it last week) but I liked this week's version better.

I thought I’d end this week’s write up with a story about Theo Travis. The first time I remember seeing him I told Neil he looked like Rev. Richard Coles who was in a Pop band in the 80’s called the Communards. Neil agreed with my observation. The next time Theo Travis came to our club I asked Martin “Have you heard of the Communards?” He made a perplexed face and said “Yes”. I said “This guy looks like the keyboard player, I can’t remember his name but he’s a vicar now.” Martin’s face looked even more confused after that. When I asked him if he’d heard of the Communards he thought I meant the Paris Commune not the 80’s Pop band. But after a few minutes he agreed that Theo Travis does resemble the Rev. Richard Coles.

What do you think?

Image result for rev richard coles
Rev Richard Coles
 
Image result for theo travis
Theo Travis
One of Neil's write ups on Theo Travis
One of Neil's write ups on the Communards (Paris Commune not the 80's Pop band) 
 
Robyn G. M. Harris
(a One Day at a Time Production)
 
 

Tuesday, 13 December 2016

Way out West at the Red Lion.

Monday night; cold and drizzly and horrible.

I made it to our Jazz Club at The Red Lion, Isleworth although by inclination I wanted to stay home. As it was it was an uncomfortable evening - lots of pain.

The music helped a bit with Steve Waterman on trumpet and Karen Sharp on Saxophone from 'The Way out West collective', based in Richmond.

You can see Trevor Tomkins on drums, Dave Green on bass here too;



Nick Weldon, who normally plays bass, took over keyboards for the night.


It was good to see old friends and friendly faces and listen to some good music, even if it was a bit of a struggle.


Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 10 May 2016

Steve Waterman and Pete Hurt at The Red Lion, Isleworth.


Monday night and we were back at The Red Lion, Isleworth, enjoying modern jazz - this time with Steve Waterman on trumpet and Pete Hurt on Sax;


While Trevor Tomkins was on drums and Steve watts on bass;



Missing from the pictures was the excellent John Donaldson on Keyboards.

I really enjoyed 'Alice in Wonderland' as well as an own composition by Steve Waterman.

The Red Lion is clearly still in danger with the ever present threat from developers who want to convert the old pub to flats; the number of live music venues continues to shrink month by month.

Neil Harris
(a don't stop till you drop production)
Home; helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Thursday, 21 January 2016

No news yet.

We still haven't heard when I'm due to start Chemotherapy, so we went to see Steve Waterman here on trumpet and Karen Sharp on sax;


As ever Trevor Tomkins was excellent on drums, Tim Wells was on bass and John Horler on keyboards.

I must admit that I was preoccupied throughout the evening and not really part of things.

Apart from anything else it's really, really cold and I've got chilblains.

Grrrrh!

Neil Harris
(a don't stop till you drop production)

Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 22 October 2013

Thanks Tassim.


U

That was eventful, I’ve been off air for over a day.

In that time I bought a new dongle at enormous expense, got it home only to find that network had no coverage in

Sleepy Hollow

Went into town this morning and after a long battle got a refund.

Came home and spent the afternoon trying to register an old dongle to top it up on line, except the company has been taken over and you can’t top it up anymore.

Going mad, I ended up going back into town again where I was lucky enough to speak to a real live human being; Tassim of EE in Staines who sorted it all out for me. So today’s entry is dedicated to 

                              Tassim

Without whom none of this would have been possible. So much for the internet and the 21st century.

 

As for the club, how could anything compare with last week? That was so good there wasn’t anything better on in the whole of London.

This Monday night at the Red Lion, Isleworth was completely different – a debut for an exiled Canadian Mike Coates who took his Sax into the low, quiet breathy zone:

 And Steve Waterman  was playing a very bright and shiny trumpet very brightly:

 So while last week had them boppin’ in the lounge bar, tonight was more thoughtful. There were blues but they came from John Horler’s excellent and very precise piano work. He and Mike Coates pulled off a great duet on Benny Goldson’s ‘Whisper Not’.

Freddy Hubbard’s ‘Upjump spring’ was a treat but the best was last – they finished up with ‘Bye Bye Blackbird’ of all things. Deconstructed by each of the players in turn, like a child taking apart an alarm clock and then looking puzzled by the pile of bits; somehow they managed to get them back together in time and it was a real joy to listen to them doing it.

Did I say it was quiet and reflective? Now I think about it Tim Wells on bass and Trevor Tomkins drumming didn’t get that much of a look in this week.

Still the best place to be in London, just as well it’s a secret, or it would have been without Tassim’s help.

Y
helpMesortoutstPeters.blogspot.com

Neil Harris

(a don’t stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com

Contact: neilwithpromisestokeep@gmail.com

Wednesday, 28 August 2013

Casual it wasn't.


I’ve had a few bad days being not so well, as I said yesterday I’m a grumblin’ an a grouchy.

Also this Blog has got behind itself by a day and I can’t seem to get it straight, like getting the buttons on your shirt done up out of order.

Then again I’ve got a couple of (I hope) adventures* planned for this week although I don’t think I’ll be able to do both. At the moment I’m hoping to be well enough to nail one of them.

I’ll keep you posted.

Monday I hit the jazz trail, or perhaps it hit me.

I warned you, I’m being a grouch.

At the Red Lion, Isleworth, it was an odd set. Five fine players, a couple of hours of good music but to me it seemed as though I was only enjoying every other number. Then again 50% ain’t bad.

This is Tim Wells twackin’ the double bass.

 


 And this is Dave O’Higgins on Sax – a really fine musician.

 

 
‘Hackensack’ by Thelonious Monk was as good as ever, who doesn’t like that?

Steve Waterman woke me up with an outrageous, screaming trumpet while John Horler was doing a very reasonable Monk impression with just one hand, a sharp minimalism that looked so casual that you knew it wasn’t. It got the crowd cheering and my neighbour playing ‘air piano’ for the second week running.

The last number was a special version of ‘It ain’t necessarily so’, the instruments fighting it out amongst themselves.

* One of them involves time travel!

 

Neil Harris

(a don’t stop till you drop production)