Showing posts with label Tim Wells. Show all posts
Showing posts with label Tim Wells. Show all posts

Tuesday, 3 July 2018

A Quiet Night In

 

It’s still hot here in the UK, Wimbledon started and the World Cup is in the knockout stages; either one or all three of these factors meant that the crowd at the Milford Arms was a fraction of its normal size. This of course was fine with me because I don’t like crowds but for the people who run the jazz club it was a bit discouraging, especially since it’s only been in the current venue for two months and I think they are worried about getting the boot if the numbers drop.

As I said it’s still hot, which I hate but it’s a shame Neil would have loved this weather. For the past three summers he’s complained about it not being hot and sunny – even though it was, just only for a few days which I’d prefer. But we’re going into our third week of 80°+ heat which is a bit extreme for a place with very little air conditioning.

Today is four months since Neil died. I still can’t believe it, but that’s why I’m writing this today and not him. Although I miss him every day some days little things happen that remind of things I’ve totally forgotten about. Like last week while Derek Nash was playing he licked the tip of his index finger and gestured an exclamation point. I don’t really know what that means but Neil used to do that when he’d done something he was proud of and wanted credit for. Last night it was me taking notes for the blog on the raffle tickets. When Neil was well and writing the blog he always kept about four recycled envelopes  in his pocket for taking notes. They could be used for anything but at the jazz he usually used them to take notes like, the songs that were played or little events that happened like someone spilling their drink on the jazz club villain and him storming off as a result … Result!

A lot of nights at the jazz club would be either a night that he enjoyed or one that I enjoyed. Last night though I think would have been the rare occasion where I liked one half and he liked the other. Last night was a night of two halves. The first half was dominated by the smooth and spicy sounds of Theo Travis. I love the sax and have since I was a teenager, and Theo plays my kind of sax. I think he could make it on the smooth jazz circuit if he were looking for some extra income.

The first half included some of my favorites like Recorda Me and In a Sentimental Mood - a song that almost anyone would know even if they didn’t know jazz, it’s been in movie soundtracks and is a classic. For me it’s a song that would come to mind when you think of the sax .

The second half was more upbeat and featured more of the screeching trumpet and flugelhorn of Steve Waterman. I love a screechy trumpet while Neil loved a mute, he’d get excited whenever one was used. And like he always said, “If we were the same it would be boring”. I like smooth things  whereas he thought smooth music was "inoffensive" which for Neil was not a compliment. Neil liked things to “grab you by the lapel and shake you”, so I think he would have really enjoyed the second half after probably sleeping through the first.

It’s the first week of July so of course Tim Wells was playing the bass. The “Baltimore bass man” as he’s known always seems to be at the jazz club around the 4th of July. The first year I wished him a happy 4th, he kind of rolled his eyes at me. It was okay, I was never really been a fan anyway. And because he was there the band played Old Blues which I said to Martin must be his favorite song because whenever he comes (which is at least once a month) they play it.

One of Martin’s favorites was on keys, John Horler. No original music last night which is a shame. They usually play one of his pieces when he comes. And of course Trevor Tomkins was on drums, and in another lovely shirt from Ghana. I told him, maybe it’s the shirt! Last week he was on fire and this week he was still smoldering. The band played Joy Spring again (Derek Nash, et al played it last week) but I liked this week's version better.

I thought I’d end this week’s write up with a story about Theo Travis. The first time I remember seeing him I told Neil he looked like Rev. Richard Coles who was in a Pop band in the 80’s called the Communards. Neil agreed with my observation. The next time Theo Travis came to our club I asked Martin “Have you heard of the Communards?” He made a perplexed face and said “Yes”. I said “This guy looks like the keyboard player, I can’t remember his name but he’s a vicar now.” Martin’s face looked even more confused after that. When I asked him if he’d heard of the Communards he thought I meant the Paris Commune not the 80’s Pop band. But after a few minutes he agreed that Theo Travis does resemble the Rev. Richard Coles.

What do you think?

Image result for rev richard coles
Rev Richard Coles
 
Image result for theo travis
Theo Travis
One of Neil's write ups on Theo Travis
One of Neil's write ups on the Communards (Paris Commune not the 80's Pop band) 
 
Robyn G. M. Harris
(a One Day at a Time Production)
 
 

Sunday, 9 October 2016

Jimmy Hastings being a Cool Cat at The Red Lion.

I am in a truly grumpy mood - I was due to go on a march this morning and I wasn't up to it. I will write it up tomorrow but it's a sad day for me....sat at home when I should have been seeing old friends and supporting a good old cause.

This is by way of a memory from last Monday when we made it to my Jazz club at The Red Lion, Isleworth.



This is Jimmy Hastings and over the years I've been watching him he has been steadily moving up the league table of cool cats;

I really enjoyed McCoy Tyner's 'Passion Dance' and a Kenny Wheeler number (can't read the scribble I wrote on my tissue!).

But the best of all was Sonny Rollin's 'Alfie's Theme', you can hear the long version of it here;

https://www.youtube.com/watch?v=5_moRogiog0

Tell me that isn't the 1960's in 9 minutes?

We also got a taste of the 70's too, with a bit of Jazz flute.

Too good.


Thanks are due (as ever) to Trevor Tomkins on drums who arranges everything, John Horler on Keyboards and Tim Wells on Bass.

It was a perfect evening.

Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 29 March 2016

Art Themen at The Red Lion.

This week I had a big treat at The Red Lion, Isleworth - the great Art Themen came to play;


Covering a variety of saxophones, one of the last great exponents of British Bebop is not to be missed;


Trevor Tomkins was on drums, Robin Aspland on keyboards and Tim Wells on bass.

For me the evening was tinged with sadness as the last issue of 'Jazz in London' magazine was handed out. I'll do a special article here to commemorate its passing but it has been a vital part of the London jazz scene for 43 years and will be missed enormously.

All the same, it was a great night of music - the finest modern jazz in town tonight.

Neil Harris
(a don[t stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 23 February 2016

Bad case of the Blues.

By Monday night I was definitely feeling below average although I didn't want to miss Richard Rossi on guitar, John Horler on keys, Tim Wells on bass, Trevor Tomkins on drums and Paul Booth on saxes;


As the evening went on I was flagging and getting more blue by each number!


Or worse;


It was a fine night at The Red Lion, just maybe a bit too much for me.

Neil Harris
(a don't stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Thursday, 21 January 2016

No news yet.

We still haven't heard when I'm due to start Chemotherapy, so we went to see Steve Waterman here on trumpet and Karen Sharp on sax;


As ever Trevor Tomkins was excellent on drums, Tim Wells was on bass and John Horler on keyboards.

I must admit that I was preoccupied throughout the evening and not really part of things.

Apart from anything else it's really, really cold and I've got chilblains.

Grrrrh!

Neil Harris
(a don't stop till you drop production)

Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Wednesday, 28 October 2015

A smooth night at The Red Lion.

On Monday (still ill), we struggled in to Isleworth to our Jazz club at the Red Lion.

We were in for a treat, a couple of occasional performers who brought a bit of youth and some contemporary influences with them.

This is Richard Rossi playing some delicate jazz guitar;



While this is Paul Booth on Saxophones just in front of Tim Wells on bass;



I'm not that contemporary where jazz is concerned and I certainly don't have any smooth edges even after all these years but I did enjoy this variety of Modern Jazz.....it was one of those evenings that disappeared in moments.

John Horler was on keyboards and Trevor Tomkins on Drums - a fine night.

Neil Harris
(a don't stop till you drop production)

Home: helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 29 September 2015

Jimmy Hastings at the Red Lion.




We made it back to our jazz club at The Red Lion, Isleworth.

Earlier in the year, the regulars saved the pub from development but currently it looks as much under threat as it ever did. These days people only buy pubs to close them down an redevelop. That's the way it looks now!

Anyway, we came to enjoy the music of Jimmy Hastings who plays a soft, dreamy kind of jazz.

It's very much of the 1970's and although it's not my style of jazz it's always a pleasure.

He also plays the jazz flute;



Neil Harris
(a don't stop till  you drop production)

Home: helpmesortoutstpeters.blogspot.com

Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 3 March 2015

Saving the Red Lion? Well, the band played on.




My ribs are still screaming when I change gear but I made it to The Red Lion, Isleworth to take in some Jazz. It was a good night - the next three Mondays will be nights to remember too.

The campaign to try to save the pub continues. If you haven't signed the petition I would urge you too do so. The link is here;

http://you.38degrees.org.uk/petitions/list-isleworth-s-red-lion-as-a-community-asset

This is an independent community campaign. It doesn't have anything to do with the landlords who are currently in the process of decorating the pub and creating a better online image; to boost the sale price.

The petition is to have the pub listed as a 'community asset' which means it can't be redeveloped.

Anyway, in this picture you can see Martin Shaw playing his trumpet with a mute; I love mute trumpet and don't understand why Jazz uses it so little. I suspect that trumpet players want to be as loud as possible....less is more!

Martin Shaw played a lot of mute and it was good!

I really enjoyed a version of the standard 'Bye Bye Blackbird' which is in fact a depression era song about an alcoholic trying to quit a cheap rot gut 'whiskey' called 'Blackbird'.

Martin pulled the theme about and deconstructed it until nothing was left. Then, after a while to think about it, the band pulled it all back together again.

That's Jazz. 

Sheer genius.

This is Sam Mayne on Sax;





Behind, as ever is Trevor Tomkins on drums. Hopefully, Trevor isn't going to have to start looking for a new home for the club - it's about the best in London thanks to him.

Robin Aspland was swingin' on keyboards and Tim Wells was on bass - shining when he ganged up with Martin Shaw's trumpet for a quiet duet.

A good night - we're going to have to fight to keep them happening.

Neil Harris
(a don't stop till you drop production)

Home:  helpmesortoutstpeters.blogspot.com

Contact me (I don't bite, often);
 
neilwithpromisestokeep@gmail.com




Friday, 6 February 2015

Nice to be back.





We finally made it back to our Jazz Club - at The Red Lion, Isleworth.

It's been over two months since I got ill or that bad things were happening which meant we couldn't go. It was nice to see familiar faces, drink a cider and catch some great Jazz.

The Saxophonist couldn't make it, so Tim Whitehead stepped in to help out at the last minute; 



 
 
I haven't seen him before - he was great, very expressive and a little tension in the air always helps Jazz!
 
It was nice to see Trevor Tomkins on Drums and Henry Amberg-Jennings on trumpet. Tim Wells on bass and Robin Aspland on piano made up the group.
 
 
I even heard some old favourites; Freddie Hubbard's 'Up jump Spring' and Charlie Parker's 'Scrapple for the Apple'.
 
Nice to be back.
 
Neil Harris
(a don't stop till you drop production)
 
 
 
 

Thursday, 23 October 2014

Meeting Paul Booth.




 
 
Monday night and we were tired out – it was a hard weekend and even though we were able to get out in the afternoon it was tough.
In the evening we were in Isleworth for our jazz Clkub and a new talent (for us, anyway).
Paul Booth has been making a name for himself as a Saxophonist touring America for the last 10 weeks with Stevie Winwood.
Tonight? Back at Isleworth playing Jazz. He’s good; expressive and creative.
In the background is Tim Wells playing bass.
We were shattered, falling asleep on the job.
Neil Harris
(a don’t stop till you drop production)


Saturday, 30 August 2014

Jimmy Hastings night at The Red Lion.



Jimmy Hastings down at The Red Lion is not something to miss; it's the sound of 1970's jazz played well.

Not my kind of thing at all, not a decade when I was really into Jazz at all, which is why it's such good playing...the sounds of Chick Corea weren't my thing.


 
 
If anything says it all its the sound of a jazz flute - the sound of that era and Jimmy's got it just right.
 
 
But I like Wayne Shorter and Gerry Mulligan who both got an airing as well as the very great Jimmy Giuffre who does not get played often enough.
 
And it was just a quartet which I really prefer; Trevor Tomkins on Drums, John Horler on keyboards and Tim Wells playing a very fine bass.
 
Neil Harris
(a don't stop till you drop production)
 
 
 
 
 
 


Thursday, 3 July 2014

Best month, ever.

Monday, down at The Red Lion with Robyn was a dream.


This is Kelvin Christian on the Baritone Sax, which meant a feast of Gerry Mulligan and some rather deep notes.

Highlight of the evening was Roger Beaujolais on the vibes;


I used to feel that the vibes were a jazz instrument I didn't want to hear too often - I'm changing.

And this?


I always used to associate the Jazz flute with the 1970's in general and Gil Scott Heron in particular (nothing wrong with Gil - deeply missed) but not a hint of 70's jazz tonight.

Just good sounds, good company and a warm last evening of June.

Best month of the year.

Neil Harris
(a don't stop till you drop production)

Home:  helpmesortoutstpeters.blogspot.com
Contact me: neilwithpromisestokeep@gmail.com

Tuesday, 6 May 2014

Straight, no chaser.


Monday night and that’s jaaaaazzzzz.

I made it back to the Red Lion, Isleworth for a special night made just for me (as is next week).

Unfortunately, it seems it was made for just about everybody else too – it was packed and I ended up at the front.

 I could get used to that. Up at the back, I never realised they have fingers and noses and things;


 

This is Nigel Price, a jazz guitarist who actually understands how the instrument works in Jazz.

And this is the great Simon Spillett on Sax;

 

Trevor Tomkins on drums, the world famous John Critchinson (of Ronnie Scott’s band) on keyboards and Tim Wells on bass.

It was a night of standards but with just enough Bop, every now and again to keep me alive.

Long breathy sax notes and then a little walk on the wild side. Just every now and again.

Miles Davis’s Donna Lee, Charlie Parker and where would I be without Thelonious Monk’s ‘Straight no chaser’?

Oh, and welcome back from Ocean Drive, Robyn!

Neil Harris

(a don’t stop till you drop production)
 Harry Potter says

  C

    Helpmesortoutstpeters.blogspot.com

 All it takes is a little magic!

Wednesday, 19 February 2014

Flares and Fusion.


Monday night at The Red Lion, Isleworth and it wasn’t really my night even though Jimmy Hastings is a fine saxophonist who also throws in the flute every so often.

 

It’s just that 1970’s fusion isn’t my thing and 70’s jazz isn’t my era. There was a lot of Chick Corea and if there wasn't any Weather Report, it was in the air that night.
The flute does always brings back memories of the recently departed Gil Scott Heron who did shine out at that time.

Trevor Tomkins clearly likes the period as well, judging by the workout his drums were getting and I was in a minority of one amongst the crowd.

Today, I was having a quick look at the minutes of the January meeting of the governors of Ashford and St. Peter’s NHS hospital Trust and under the heading of ‘Parliamentary and Health Service Ombudsman, there appeared to be a request for information back in December relating to Accident and Emergency.
I wonder who that relates to? Perhaps we will see later.

Neil Harris

(a don’t stop till you drop production)
Home:   helpmesortoutstpeters.blogspot.com

Contact: neilwithpromisestokeep@gmail.com

Tuesday, 14 January 2014

Cobwebs.


By the end of Monday I was a bit depressed.  I’m facing an army of carers and social workers on Wednesday and I’ve got a day to clear up the house and clean it.

At the moment it looks like an adolescent has been ‘Home Alone’ (don’t say it).

I could do with a break, just when it’s all going to get really hard.

This evening I had to escape – from everything, even though I didn’t feel like it.

I haven’t been to the Jazz Club at the Red Lion, Isleworth since last year – luckily tonight was hard and fast enough to blow the cobwebs away.

Mark Armstrong on Trumpet;
 
Was doing his best for me

 
As was Simon Allen on Sax.

Both did solo ballads as part of a quartet, and I prefer quartets, although I could have done without ‘Stardust’ which always depresses me.

Luckily there was Miles Davies, John Coltrane, Sonny Rollins as well, although they weren't appearing in person as they were indisposed.

Instead I had Leon Greening who gets more hunched over his keyboards every time I see him; he has a feel for the blues and we got a couple of them tonight. Tim Wells on bass and Trevor Tomkins drums were as immaculate as ever.

So it helped – a bit.

Is that sour? Perhaps it is; I’ve also started a job I needed to do but I’ve been putting it off far too long and that isn’t helping either.

Neil Harris

(a don’t stop till you drop production)
Home:   helpmesortoutstpeters.blogspot.com

Contact: neilwithpromisestokeep@gmail.com

Tuesday, 31 December 2013

The Coolest place to be.


I wasn’t even going to go out, I was going to stay in and have a rest ready for New Years Eve. That’s what I should have done (not been so well blahdeeblah) and in the morning do the food shopping, spend the afternoon at hospital and the evening ….well, we were going to see what happened.

Instead I went to The Red Lion for a night of jazz, so thats the end of the shopping.
 I always knew it would be a good night but I didn't realise it was going to be a really good night and that I had to be there. I wasn’t the only one either – it was packed out.

 


 Simon Spillet was magnificent on the saxophone while Nigel Price on jazz guitar complemented him perfectly. They were all up for it, I think having several days away from jazz had them desperate to get back in – that’s what it sounded like. John Critchinson couldn’t stop smiling and Tim Wells on bass was thwacking out the rythym.

Best of all was ‘Alfies Theme’ by Sonny Rollins; you know it, really you do. It’s from the 1960's film. It’s cool…really cool.

The joint was jumping.

And for this one night that packed pub was the only place in the whole of London to be.

Now it's New Year's Eve and I got up late (there goes the shopping - frozen leftovers for me). This time last year I wrote that 2012 was the worst year of my life but that I wouldn't have missed it for the world.

Well I can tell you that 2013 was ten times worse than that and I still wouldn't have missed it for anything.

2014? Bring it on.

Neil Harris

(a don’t stop till you drop production)  

Tuesday, 5 November 2013

A not bad Monday night.


Monday night and I struggled off to my Jazz Club at The Red Lion, Isleworth and the celebrations for its third birthday. It was time to take my thrombosis out for the night.

To mark the occasion they had a sextet – that’s two more than I would want but then I’m in a minority of one on that.

Also I had to swallow all my prejudices as the excellent Mark Nightingale was playing his trombone – not one of my favourite modern jazz instruments.
 

 Dave O’Higgins plays a fine saxophone and duetted well with Quentin Collins on trumpet and flugelhorn. Trevor Tomkins drums and Tim Wells on bass made up the line-up except for a late substitution pianist whose name I’m afraid I didn’t catch.

Six musicians are frankly hard to fit into the cupboard that is the Red Lion stage but on several numbers they took full advantage of Mark Nightingale’s arrangements to revel in a big band sound from a small ensemble.

 

For the real Big Band sound, The Riverside is hosting an 18 piece Big band in a fortnight – more on that nearer the time. It’s a sound that isn’t heard these days – you need a lot of money or a wealthy sponsor to play that kind of music. Famously, Charlie Watts the Rolling Stones drummer fritters away his earnings to support his Big band and the BBC can afford to do the same every once in a while.

With The Riverside, the band is being charitable to us as I suspect their fee would barely cover the travel expenses for 18.

It’s going to be a good night and I’ll be plugging it!

Neil Harris

(a don’t stop till you drop production)

Tuesday, 22 October 2013

Thanks Tassim.


U

That was eventful, I’ve been off air for over a day.

In that time I bought a new dongle at enormous expense, got it home only to find that network had no coverage in

Sleepy Hollow

Went into town this morning and after a long battle got a refund.

Came home and spent the afternoon trying to register an old dongle to top it up on line, except the company has been taken over and you can’t top it up anymore.

Going mad, I ended up going back into town again where I was lucky enough to speak to a real live human being; Tassim of EE in Staines who sorted it all out for me. So today’s entry is dedicated to 

                              Tassim

Without whom none of this would have been possible. So much for the internet and the 21st century.

 

As for the club, how could anything compare with last week? That was so good there wasn’t anything better on in the whole of London.

This Monday night at the Red Lion, Isleworth was completely different – a debut for an exiled Canadian Mike Coates who took his Sax into the low, quiet breathy zone:

 And Steve Waterman  was playing a very bright and shiny trumpet very brightly:

 So while last week had them boppin’ in the lounge bar, tonight was more thoughtful. There were blues but they came from John Horler’s excellent and very precise piano work. He and Mike Coates pulled off a great duet on Benny Goldson’s ‘Whisper Not’.

Freddy Hubbard’s ‘Upjump spring’ was a treat but the best was last – they finished up with ‘Bye Bye Blackbird’ of all things. Deconstructed by each of the players in turn, like a child taking apart an alarm clock and then looking puzzled by the pile of bits; somehow they managed to get them back together in time and it was a real joy to listen to them doing it.

Did I say it was quiet and reflective? Now I think about it Tim Wells on bass and Trevor Tomkins drumming didn’t get that much of a look in this week.

Still the best place to be in London, just as well it’s a secret, or it would have been without Tassim’s help.

Y
helpMesortoutstPeters.blogspot.com

Neil Harris

(a don’t stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com

Contact: neilwithpromisestokeep@gmail.com

Friday, 4 October 2013

A fast blues for a blue Monday.


This week turned out a disappointment – after last week too, which was a candidate for the Hall of Fame of all-time great weeks. I was getting greedy – and the great Soul Cat in the sky decided to take me down a peg.

I spotted that ‘The James Taylor Quartet’ were down to play a nightclub in Brighton on Saturday night and he doesn’t tour much these days so it was probably my last chance to see the  king of kool, one last time.

Hey, that’s not so very far, really it isn’t. It was clearly time for a roadtrip.

Hey, he’s so cool they serve anti-freeze in the bar.

L Mmmm, that’s nice.

All planned out like a military operation; all the daily grind sorted out by the afternoon then a sharp drive down to the coast. Park up on the seafront, a lungful of fresh air, a cough and then an evening showing all the young folks how it really should be done….MOD Night.

Then;

           SHOW CANCELLED

It’s gone over to next month but that’s too far ahead for me. Plans are too much of a luxury these days.

And it’s gone over to another club which looks a lot bigger. Glowering bouncers and not a lot of patience for an old guy with attitude and an Ian Dury Walking stick.

Monday saw me down at my very own Jazz Club, The Red Lion, Isleworth. Not quite the same excitement, not the same kind of buzz but fairly good – really packed out this week because the line-up was about a third of the late, great and irreplaceable Ronnie Scott’s Band.

And they were good.

Dick Pearce’s trumpet and flugel horn and Mornington Lockett’s (yes that really is his name) Sax tore apart the melody of any number of standards, shredded them up and then pulled them all back together again – just in time, with John Critchinson playing some very fine piano, Tim Wells on Bass and Trevor Tomkins on Drums – the glue holding it all together.

 
No photo of Dick Pearce – he disgraced himself by playing a big fat Tuber some of the time. He tried to call it a ‘Baritone Horn’ as if that was ever going to help. It didn’t. I think he ‘borrowed’ it from a Salvation Army hall.

But between them all they were very good indeed. It was one of those couple of hours that flew past in a few minutes. Good hard Bop and ending up on a fast blues for a blue Monday.

But it was never going to be as good as a raid on Brighton.

Then again, I have spotted the chance of a little (ahem) Adventure  on Sunday.

 

`SPIDERMAN SAYS


   HELPMESORTOUTSTPETERS.BLOGSPOT.COM
 

 

Neil Harris

(a don’t stop till you drop production)
Home: helpmesortoutstpeters.blogspot.com

Contact:  neilwithpromisestokeep@gmail.com